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Q. i sing alot, so sometimes people ask me about how i do what i do...more often than not, i run across people who feel like they can't find melodies, they stick with somewhat monotonic melodies and want help with discovering ways to create more interesting, more colorful melodies...i suggest they start to improvise over a few notes or chords...may i ask, what would your advice be to this question? thanks
A. My advice is that they explore their instrument rather then the musical options. What restricts their thinking is a lack of connection to their voice. The mind can only assign what the body can already do. Voice lessons would stretch and develop their vocal capabilities which would in turn expand their musical horizon. I've seen it happen thousands of times.
Q. Hi mark, I'm 20 years old and I'm a alright metal singer, but my problem is that I can't get my voice loud enough and sometimes after I practice my throat hurts, wondering if there was anything I could do to improve the problems I have (I have the same vocal style as Randy Blthye from lamb of god -stuff from their albums "As the palaces burn" and "Ashse of the wake" and their new album)
A. Why does your voice have to be loud? The truth is what you need is a better rehearsal situation where you can hear yourself without shouting. The voice puts out about 15 watts of power at peak. Just look at the wattage of the guitar amps in the room and watch the way your drummer bashes his kit and you'll see why your throat hurts. The short term solution is to wear ear plugs so you don't get lured into competing with the volume of the instruments. Just sing the songs so your dynamics are appropriate to the lyrics. Your band mates may not hear you if you're not shouting but they're not listening to you anyway. The long term solution is to become rich and famous so you can rehearse in a sound stage.
Q. I'm 17 and I've been singing for 2 years now, and I've been taking classical lessons for 6 months now.
>I really wanna know how to scream like foo fighter's Dave Grohl (breakout) or Mike Patton (faith no more's digging the grave\what a day), but whatever I do I can't get the same type of sound. when I try screaming like this it hurts my chords and it's out of tune.
>usually after I try it's hard and almost impossible to sing clean.
>can you help me?
A. You can't learn to scream and take classical lessons at the same time. Well, you can but the two are polar opposites -- so both will suffer. Everybody that screams has had to work through the soreness in order to find the right mix of push and pressure. My MP3 lesson, "The Five Secrets of Screaming," can guide you through the process.
Q. I am 61 and I always wanted to learn to sing well. I know nothing. What can you recommend? Thanks.
A. I recommend you stop wanting and start working! First off; just sing. Feel your way around a song. Explore your voice, not what you hear others do. Along with that you should exercise your voice with a voice teacher. Ask at your church or local music store for some recommendations. It's too late to sing like a twenty year-old but never too late to optimize what you've got.
Q. I love the web site! I am in a rock band that is composed of me and my sister and my cousins. Everyone says that we blend well. I am aware that getting a record deal takes not only talent, but politics. Is their any advice you have for having the ability to meet the right people and "be in the right place at the right time"? I know a few bands personally that have a thoroughly developed list of credentials, yet they are just waiting to get signed, and are traveling around the state doing shows under the "seeking a record deal" status. What decides who gets signed and who doesn't? After you get your music online, what is the next step?
A. The next step is to sell so much of your music on-line that labels swoop in to steal some of your profits. There's no politics -- it's just money. Those bands that hustle their music and create a huge public awareness (much more then just the home state) are the ones that get the attention. The irony is that by that time you really don't need a label. There's nothing to wait for. Spend hours on-line loading your MySpace with friends and start booking tours of your region. Playing for strangers is how you learn what works for stage presence and what doesn't. Your friends and family are not objective enough.
Q. personally, i think i can sing pretty well ( i know it sounds big headed but i dont want to get into it all haha) i just havent got the confidence to get on a stage and sing in front of more than about 4 people. My friends think i have a great voice and are always encouriging me to get up there and do it, but "get up there and do it" is not really rhe advice im looking for when im really scared about it. Have you got any tips for me at all? Absolutley anything would be appreciated. Thanks
A. What your friends don't understand is that performing takes much more then just an ability to sing. There are millions of people who sing really well yet have never performed. It takes courage and a desire to express yourself to others to get up on stage. Not everybody has or wants those bad enough to tough it out through the first few shaky times. Do you?
Q. Ok, well I love to sing I am 14 and i think my voice is great my friends and family say its really great i did the talent show in school last year and well i was sooooo nervouse but i pushed myself into doing it and boy did i stop in the middle of the song i sang the starspangled banner and even the teachers said i was good the choir lady asked me if i wanted to be in choir and i did but it was way to late so now im thinking of joining this year maybe but heres the real question how do i get my self use to people i like shiver when i sing around them and you can hear it in my voice what should i do?
A. If you want to sing then you'll have to sing through the shivers. They don't last that long -- once you start practicing with the choir you'll get used to singing with people around.
Q. hello mark i need to learn how to scream somewhat close to lamb of god i can do cannibal corpse but not lamb of god. i've done it before but that was in a room with a lot of noise and it actually hurt the crap out of me. so would you have any ideas? quiet exercises?
A. I disagree. I don't think you need to do a scream like Lamb of God. I think you need to do a scream like you. There was nobody out there like Lamb of God when they were just jamming and getting their sound together. What did that guy use as a target? It certainly wasn't Lamb of God. He just did the best he could and gave it his heart and soul. You should to. Then some day I'll get an email from some guy needing to scream just like you.
Q. Hey Mark, I'm a 17 year old, just started trying to sing, i can hit notes and all but im not happy with the way my voice sounds, is there anyway you could change the way you pronounce sounds while your singing or anything along those lines? if you know what i mean.
A. Absolutely -- the voice is the most flexible instrument in terms of color and dynamics. You should explore it via exercises instead of songs. That way you'll discover what is unique about your voice rather then constantly comparing to someone else.
Q.Hi Mark,im a 13yr.old girl whos having trouble with my singing.I have a wonderful voice but the problem is that i cant quite sing high notes to well.My chorus teacher in school assigned me to soprano & im struggling with that.I also have a solo coming up ,& theres also alot of high notes in the song.My teacher wants me to sing high, but i cant sing as high as she wants me.What can i sing high notes without any mess ups,like are there any exercises or anything i can do to improve?
A.The real problem is that you don't want any mess-ups. Imagine a baseball player asking what he can do so that he always gets a hit when at bat. That seems impossible doesn't it? No body wants to mess up of course but singers tend to over protect themselves against embarrassment. So practice your solo at home where no one can hear you and let yourself mess up like crazy. After you stop laughing you can then explore the real potential of your voice without all the guards up.
Q.hey mark!i am only 14 yrs old and i want to sing like professionals and i have no one to guide or instruct me so can you please tell me where to start from as i am interested in singing rock.tell me all i need to do.please mark i shall be obliged
thanks
A.You should start like all the professionals did -- by putting a band together. Find some players in your area who are just starting out like you. After a few years you'll get much better and the next step will become obvious.
Q.i believe i'am a good singer, ijust don't have the voice training, so i lack confidence. people would say i have a great voiceand if they could sing like me they would look into singing as an career, I'm my own worst critic
A.There are millions of people like you. It's not the voice training that makes the difference it's the hunger to be heard. Talent does not make you famous -- it's drive. It takes so much effort to get out there and perform I recommend you start even though you don't think you can do it. By the time some opportunities come your way you'll be so thankful for them you'll find the courage to put your fears aside.
Q.
Hello, Mr. Baxter. I am an 18 year old woman, currently beginning to go through the motions of getting myself known and respected as a singer. I have my first major event/audition in two days (my city's version of American Idol) and, while my voice is good, I'd like to know if there's anything I should do to prepare for this. I'm intensely nervous, and I fear that this will show in my performance. If you can help me in any way, I'd greatly appreciate it. Thanks so much.
A.
There's nothing that will help in two days. However, if this is a career path for you it would be best to think of this audition as a rehearsal for the more important auditions to come. American Idol type cattle calls have nothing to do with a real career in the arts. They simply tease people's fantasy about being discovered when in reality becoming an over-night sensation takes years and years of hard work. You will be less nervous every time you subject yourself to the scrutiny of others -- so do it every chance you get. The outcome of any one audition just couldn't matter less if you are serious about singing for the rest of your life. So enjoy the practice of singing under pressure. Make mental notes of what you want to change next time. If you should do well -- that's great. If not -- figure out what went wrong. Either way the experience is invaluable.
Q.
I'm in to contempary christain music. I want to check out what I need to do to get started.
A.
All you need to do is start pouring your faith into a song. If you don't play an instrument than you'll need to find someone who does. If you don't like the results then you can work with someone like me to fix the problems.
Q. My question: What is your opinion of a woman singing cover songs that are written from a man's perspective? Such as
Sweet Caroline, Arms wide open, Brown eyed girl, Angel is a centerfold
etc.
I perform one or two sets with a duet, two guitars and a drum machine.
I have a wide variety of songs that I sing comfortably, both male and female driven lyrics.
Some high, some very low. I feel the lyrics when I sing and so I sing as if I was that person who was moved to write such lyrics.
I was wondering how the audience may perceive the conflict of a female singing "You my brown eyed girl" etc....
Thanks,
Great site! I plan on picking up your book as well.
A. I don't have any problem with it. Lyle Lovett did a great cover of "Stand by Your Man" and Ottis Reading wrote and had a hit with "Respect" before Aretha Franklin made it hers.
Q. I've just started a band and we are trying to find a singer. I think that i could do it, but we want someone who can sing-scream. No matter how hard i try i cant go about being able to do it. Ever time i go to scream no sound comes out. Is everyone capable of singing like that? If so where does the sound come from? I also like the raspy sounding voice, I know that that is the worse thing that you can do to you vocal cords but is there anyway to achive that sound?
Every time i try to scream nothing comes out. Does every one have the vocal capability to sing like that?
I was wondering if its possible for everyone one to sing-scream. Because when I try to nothing ends up coming out. Where does the sound come from and how would you go about trying to develop my voice to be able to do that. I also like raspy sounding voices, and i was wondering if there is any kind of techniques to achive that sound.
I also really like the raspy type sounding voice...even though that is suppose to be the worst for your voice, is there anyway I can achive that sound?
A. You don't say what instrument you play but I find it interesting when absolute beginners compare their voices to singers who have years of experience. Every time I pick up a guitar it sure doesn't sound like Hendrix -- and I know exactly why. I never spent any time learning how to play guitar. I didn't in part because I know so many great guitarists that when I listen to my pitiful attempt at playing I get frustrated and give up. Learning to sing is just like any other instrument. It takes a couple of years of basics to be able to do the fancy stuff with conviction. I'm sure you don't go mute if you're screaming at a baseball game -- you're just clamping off your throat in anticipation of the shock. Learn to sing a little first. Stay in pitch, increase the range, improve the non scream tone -- then you'll discover how to add a little edge.
Q. I want to be able to sing better but i dont know how to get started. do
you have any tips about basic singing tecniques as i am a bit clueless!
please help as you seem to know what you are talking about!
A. The first step is just to sing -- and keep singing no matter if you like the sounds you make or not. As you do this, think about how you would like your voice to sound. Ask yourself what your voice is not doing? The gap between what you would like your voice to do in the future and what it is capable of doing now will give you direction. I don't think you should do this on your own, though. Some people are just better at learning when it's explained to them in person rather than reading it. I would find a teacher in your neighborhood and start with a few basic lessons.
Q. I have a question that I should be the one to answer but I just don't know why? I can sing only when the radio or something is playing a song I know and the louder the music the better I sound. Everyone all my life has told me how great I sound and that they thought I was the person on the radio. That all changes when I sing with no other person I can't get anything to come out right at all unless I'm hearing it with the original singer. This is the strangest question ever isn't it but I just had to see if someone has ever heard of this before and if so how can I change it. I love to sing I can feel my insides flipping to the outside of my skin when I get so into a song I would just love to have that both ways. Thank you for your time.
A.
I get this question all the time -- because there is a huge difference between singing with the radio and alone. It's the same as riding a bike with training wheels and without. There are lots of balance and coordination issues which are avoided when singing with a guide vocal. Without the guide, you're on your own and your muscles are over reacting. Voice lessons are a quick way to access your potential. If that's not an option, get some Karaoke CD's of your favorite songs and sing along to the music minus the vocals. There are plenty of Karaoke sites listed on my links page.
Q. Do you have any advice on how much movement on stage is enough, considering a two guitar, drum machine cover band.
I sing about 16 out of 45 songs per gig. ex. Bitch-Meredith Brooks, Give me one reason - Tracy Chapman, Building a Mystery - Sarah McLaughlin. Joker - Steve Miller.
I usually tend to tap my foot and slap my leg. A few people that I know suggested that I move around more. I obviously can not dance and sing at the same time. So I was wondering if you had any suggestions on how much movement is appropriate for the type of band I am in.
A.
Movement is not appropriated by the type of band you're in -- it's by the type of person singing. If you're uncomfortable moving then stand there and tap your foot. If you were a mover and a shaker you would inevitably get comments about moving less.
Q.
I am a 26 year old model in florida. I have never had voice lessons but i've always
been interested in singing. I love entertainment! I always sing to myself or in the shower
but my voice sucks. I love modeling but know that my true desire is to sing. What do you suggest? I would love to send
you my pictures and get your opinion if you think i even have the look. Through the years
of modeling I've been told by numerous people a great look helps. Please give me some
advice? It is greatly appreciated. thank you
A. Now matter how great you look there has
got to be a lust for singing which drives you
know matter what other people think of your voice. There are plenty of people in the music
business that I don't think sing well and others that don't look good. Regardless of what
I think, they're out there doing what they love -- and so should you.
Q. Hi.I m in a heavy metal
band,some months ago we recorded a demo cd.this demo took
great mark (in a magazine) but the voice wasn t so good (as they said).they said that my
voice needs to be more men voice.My voice is a little childish but i think that that this
is normal because i m 17 years old (and when i recorded the demo i was 16). so i m
writing to you to tell me what i must do to improve my voice.is this normal to have a
childish voice? within the time my voice will become stronger or what? if i
take any lessons will i be improved? i like singing a lot but when i hear all these
bad critics for my voice i feel depressed.i want to do anything please tell me what your
opinion.i m looking forward to hearing from you desperately! Please answer me
A. Your
voice sounds childish because you're still a child. It will definitely improve in
time -- especially with lessons. Negative criticism is something every singer has to deal with. The voice is a very personal instrument so when
people comment on it we tend to take is personally. Even the best singers received
negative comments about their singing. In the end -- you either love to sing (and
therefore won't let the comments stop you) or you were singing for expectance and will
find it too difficult to continue. I hope you keep singing.
Q. Should
I look like Britney Spears or Christina Aguilerra before I even THINK about
promoting my voice talents? I'm a little overweight
and want to know if I should lose some. I've never seen an overweight singer.
A. Here's
the sad truth as told to me by many A&R people. A female sends a package and
they look at the picture first. If she's looks good, they listen. A guy sends a package and they listen first. If it sounds good,they look
at the picture. BUT. And there's always exceptions. Jill Scott refused to send a picture
and play that game. Truth is, if you've got the goods -- there's always a way.
Q. Mark, I really
appreciate your answers, I didn't think you were going to, but I was wrong. Your advice really helped me, I was actually worried
thinking that I was killing my voice or loosing it 'cause of the singing with the CD
playing on. You know, someone once said Singing is like praying twice (if the
translation is right), and I really feel that. I believe that when you sing, your soul
takes control of you, your body, your everything and just flows away free. I'm just
saying this 'cause I think you understand what I mean and know that I'm not good
expressing my feelings. I love music, I love it most if I sing it, and this is what
I want to do for the rest of my life, though I know it's hard, it doesn't pay very well
(here at last) unless you are some kind of a W. Houston or M. Carey....wich I'm not...but
I don't care, 'cause this is my dream and I'm gonna figth for it. I'm not expecting
an answer for this mail, I just wanted to let you know that I'm just one of you people, a
music-singing lover, and all I wanted from this was to share with you my feelings. I
Thank you so so very much, really.
A. Praying
doesn't pay very well either -- and that never stopped anybody from getting on
their knees. Sing for the rest of your life!
Q. I'll make this plain and simple. I love
to sing. I'm not very good. My voice isn't strong. I can't "scream". I can't
make my breath last. I can't get air. It hurts after singing. Any tips?
A. I
know this will seem mean, but here's how your question looks to me: I love hockey. I'm not
very good. I can't skate. I can't shoot the puck. I can't defend. My ankles hurt after
playing. Any tips?
My point is that you are avoiding the ground level work you know you need. Start
with the basics -- not trying to scream. Find a voice teacher or gather as many books as
you can get your hands on. Vocalize and build a stronger instrument. Then the tips can
make a difference.
Q. Hello Mark I have been a guitarist in a
rock band for about 10 years and we recently lost our singer. I have been doing some back up singing but now my bandmates want me to take the
mic. I love to play guitar and I like to sing, tut for some reason I can't be a lead
singer and play guitar at the same time. My hand just stop. I can do backup fine. We can't
seem to find another vocalist that fits and I the closest so far. Any suggestions?
Thanks and we really dig you site. It's awesome!
A. Break
down the elements. Play guitar and speak the lyrics to "mark" the rhythm of the
singing. Sing and play what little guitar you can. Slowly this will build to the
independence you need.
Q. I AM
REALLY GLAD THAT YOUR WEBSITE EXISTS. IT REALLY HELPED ME A LOT. BUT I STILL HAVE FEW
QUESTIONS FOR YOU. THESE ARE 1. WHEN I SING, EVEN THOUGH I AM NOT NERVOUS OR SCARED, MY
VOICE IS A LITTLE SHAKY. HOW CAN I GET A ROUND CONSISTENT VOICE WITHOUT SHAKINESS WITH IT?
2.I CAN SING IN HIGH NOTES, AS EXAMPLE, "STAR-SPANGLED BANNER," WHICH IS MOSTLY
HAVE HIGH PARTS, BUT THERE ARE HIGH NOTES THAT I CAN REACH, BUT I SOUND THAT I AM
STRUGGLING. HOW CAN I HAVE THE HIGH PITCH VOICE WHEREIN I SOUND LIKE I AM STRUGGLING, LIKE
IT IS MY VOICE'S NATURE? 3.WHEN I SING IN LOW VOICE, I CAN'T SING IN HIGH NOTES WITHOUT
PUKING, IS THERE A WAY THAT I CAN SING IN HIGH NOTES IN A LOW VOICE WITHOUT PUKING.
4.STEVEN TYLER IS A GREAT SINGER, WHEN HE FIRST BECAME YOUR CLIENT WAS HE ALREADY GOOD
JUST TRYING TO IMPROVE HIS VOICE A LITTLE BIT, OR WAS HE STRUGGLING TO BECOME GOOD? I JUST
WANT TO KNOW IF A NOT-SO-GOOD ORDINARY SINGER CAN BE REALLY, REALLY GOOD IN ONE-YEAR'S
PRACTICE
A. One
year is way to short. Do you think you can become a great guitar player in a year?
Practice is the answer to all of your questions. Watch your face when you're practicing.
Don't let any tensions show up when singing the high notes. My book would be a lot of help
to you.
Q. I'm
a guitarist/songwriter, I've never had vocal training & I am not very happy with my
voice. Sometimes it's ok, sometimes I dont like it at all. My question to you is, can anybody learn to sing, or
more to the point sing well. I love
writing songs & I really like the songs that I write and aim to be a song writer
rather than a guitarist. I also am not comfortable having other people singing my songs,
my previous band had a fantastic female singer who had been trained since she was three.
She was convinced that my voice was good enough to develop into a decent singing voice. I have just moved to the country & have
no access to a singing teacher, what would you
recommend as a learning aid? Am I wasting my time/money?
A. You
are daring me to say you can't sing. This e-mail is a log jam of thoughts. (sometimes the
voice is good, sometimes bad/I want to be a songwriter but don't want others to sing my
songs/a trained singer says I can improve my voice with training so I move to a location
where that's not possible/you have obviously thought about this enough to write me this
e-mail but don't want to waste your time practicing some vocal exercises)
I speak to enough people like yourself to know that any encouragement I offer
will fall on deaf ears. You already know you can sing well if you apply yourself. You know
you can't be a songwriter unless others sing your songs. You know how difficult it is to
market yourself while living in the country. I recommend you take a long walk in the woods
and ask yourself why you fear success so much.
Naturally, I recommend my book as a learning aid (but you already knew that, too). But
not until you see the sabotage in your mind set. There are dozens of singers on the radio
I don't think are very good (I'm sure you can name dozens yourself). The only difference
between them and you is permission. They gave themselves permission to move forward -- and
so they did.
Q. i need some help.I love rap music i
listen to snoop,dre and eminem. i live in ireland and i think that hip-hop is the best
music. rap is'nt as big in europe as it is america but eminem has shown that
it sells over here.i am a white 18 year old male and i KNOW that i am goodenough to be europes answer to dre,snoop and shady.I just need some pointers of how to get started coz i dont know any hip-hop lovin labels
over here. please help me,ill thank you when im famous.
A. Hip Hop is a
do-it-yourself art form. Record some tracks -- press some CD's -- and start spreading the
word. Sell disks out of the trunk of your car -- free style with a boom box on the street
-- set up clubs nights in the local taverns. Basically you have to create the scene --
that's how the pioneers of rap broke it in the states.
Q. I am a 42-year
old female who must have sang in a previous life or is going to sing in the next. The
reason I say this is because I want so badly to sing that it makes me sad that I can't. I
don't want to necessarily become a star or sing to the masses. I just want to sing from the heart so that my family and friends and especially
my husband "get it". I want them to smile at me and say, "damn, that was
good!" My question is, can you (or anybody) teach an old dog a new trick? I
can't seem to let go of this feeling inside me and I cry because I don't understand why
God didn't give me the ability to sing out loud. I never told anyone this (except for my husband) for fear of being laughed at
(you know, go get a life). My husband hasn't really discouraged me from seeking this out,
although there are times I think he's not too hopeful for me.
Please let me know your answer before I make a complete fool of my self. Thank you for taking the time to read this.
A. God did give you
the ability to sing out loud -- but you've placed unreasonable stipulations on it. If you
require others to approve of your activities than you automatically grant them power to
disapprove. People can learn to sing at any age. What is difficult is removing the
ulterior motives. I'm sure there are things you do which your husband doesn't support and
it doesn't phase you. Singing from the heart is not about the sound of your voice. Singing
to impress others is not about singing. There's nothing stopping you from singing when
alone. As you become more comfortable, sing in another room where you know your husband
can hear you but you did not ask him to listen. Time will establish your love of singing
to the people around you. If you are always singing -- no one will tell you to get a life,
because singing will obviously be your life. The anxious feeling inside you is God telling
you to sing. I wouldn't argue with Him.
Q. My daughter is eleven years old. She
loves to sing, has a good voice and good presence and has dreams of someday performing.
The director of the adult choir I sing in thought it would be a good idea to have my
daughter join the choir as well--as a means to expand her range, familiarize her more with
music, and help develop her voice without having to get private training yet. As her
mom, I have been inundated with advice. Some people are shocked that I haven't been taking
her to get professional voice training yet, as if I am somehow cheating her. Others tell
me that professional voice training isn't really of much benefit until a child has reached
a certain age of physical maturity. Still others say that, while voice training is a waste
at her age, she just needs to make sure she's using her voice "right" so she
doesn't damage it... (That last one is the most nerve-wracking--without training, how do
we know what is right? A real catch 22...) I am also a singer, but have never had
formal training. I can give her pointers here and there from what I've picked up, but my
knowledge is pretty limited. Lord knows, I don't want to teach her any of my *bad*
habits... If there were some kind of self-study materials or pointers...or some kind of
tips I could get that could be useful for a kid her age, that would be great. Fact
is, here in Washington, MO, there aren't many vocal instructors, and most likely there are
even fewer of quality. Plus, my daughter is a typically happy, active 11 year-old kid who
loves singing, dancing, soccer, hoops, swimming, riding bikes and the 800 zillion other
things girls her age love to do. If there's a way she can avoid specializing too early,
that would be great... If there's a way I can get my daughter some guidance without going
full-blown into formal vocal training, that would be great... Perhaps too tall an
order?
A. I think you're doing
the right thing by looking for a little guidance rather than specializing. Have her join
you at choir, unless that would take away your experience, and use the mutual interest as
a subject the two of you can explore. Her instrument won't be fully developed until 18,
but muscle behavior is really what dominates a person's sound. It's not too early for her
and not too late for you to read up and learn about singing. Many people are confused
about what is correct. To put it simply, correct singing is when the sound comes out of
your mouth as you intended it to without causing fatigue to the throat. I would not worry
about damaging your daughter's voice, there is a much greater potential for injury when
she plays soccer, hoops or rides a bike. Ya got to let them live.
Another reality is that, to make a living as a performer she would have to leave
Washington, MO. I assuming this is not an option for you and I don't recommend that
parents encourage this. It is every kid's dream to be a star, but the life is not a
glamorous one. There are lots of books and videos on singing, I just so happen to have
written one myself, and I think that would be a great place to start. If she develops a
passion for performing, which is what it takes, there will be no stopping her. If not,
singing will be just another facet contributing to a wonderfully well-rounded young lady.
Q. I first must say
it is incredibly gracious of you to be answer questions, especially in an age where you
can't get squat without money. So thank you. Well, I have two questions. First one
is, I'm 15, and I hate the sound of my voice. I'm not being modest either. Really, it's
bad. However, I can sing, but what use is singing if it isn't pleasant to listen to. So my
question is, since I'm only 15, is there any chance my voice could get better? Next
question is, I'm a "speech-level singer", I think they call it, most people call
it belting. Anyways, I was wondering what advice you have for speech level singers. It's
hard to decipher what advice is towards those who sing in a singing voice, or those who
sing the way they speak. If you could help me, that was be totally great. Thanks again.
A. A lot can change
in a short amount of time when you're 15. Your body hasn't fully developed yet and your
skills are not a fraction of what they could be. It is way too early to judge yourself.
What if you just started playing piano at 14? Would you think you'd be worth listening to
by 15? It takes practice. Lot's and lot's of practice. You can't wait until you think you
sound good. Some people never like the sound of their voice, and I'm talking about
superstars, but they like to sing -- and so they do.
My advice to speech level singers is to watch yourself in the mirror sometimes and make
sure you're not adding any facial tension to support notes. Let it develop from the
inside. Get involved at school or church so you can sing with others. That way you can
blend in and still get some experience.
Q. Hi i am a
18 year old who love to sing and dance. My family say that I don't have what it take to be
a singer. See my family always put me down on everthing I do. Anyway i think i have a nice
voice I just need a few lessons. One of my teachers said that i had a nice voice too. My
question is what can I do to get a better note.
A. Lots of
singers have succeeded without family support. Keep on singing if that's what you love to
do. If you stick with it, they'll come around. The more you practice, the better you'll
sound.
Q. How come I can
hear when other people are off tune, I can pick out a tune on a piano, but I cannot hear
that I, myself, am off tune in every note I try to sing (unless I have recorded myself,
and that is a big laugh). Is there any way to correct this problem or are we born this way
with no help of improvement?
A. You can hear when
other people are off because you have a good sense of pitch. You cannot sing in pitch
because your muscles are uncoordinated. Singing in pitch has nothing to do with your
hearing. You don't realize you're off key when singing because your intention is blocking
your judgement. Listening to ourselves on tape allows us enough separation to
"hear" when we're off. You would benefit a great deal from warming up before you
sing. Loosen your hips and neck and watch for facial tension when singing -- these are the
places where we get thrown off.
Q. Hey Mark I don't think you remember me
but I E-Mailed you a few times last year with some vocal problems that I've been having. I
was in a band at the time and I had problems with my voice cracking, I would just like to
say that I took your advice in some of the e mails you returned explaining how to prevent
this problem and I also studied your free lessons that you would post up every so often,
they really helped allot, It helped me with my confidence and my problem is all cleared
up. Later on that year I quit that band I was in and started writing and recording some
material out of a basement with a buddy of mine, the stuff we were doing you could say is
very radio friendly with drum loops and allot of programed stuff. It turns out that from
the stuff we recorded landed us a record deal with warner music , we landed the deal in
late march and recently recorded our first half of the album in california which was an
amazing experience. Rick Neigher produced the first half of the record so far and the
players we had work on this album were amazing. Tim Peirce (guitar) and John Peirce(bass)
we also had John Beisley(piano and keyboard) and Vinnie Caluta (on drums) the best drummer
I've seen it was allot of money to hire these players but our budget allowed us to do so.
We were very fortunate to record at suset studios and aswell at A&M studios I guess
it's now JIM HENSON'S or something but whatever....
I would just like to say thanks to you and your web site for being some guidance during
this hole thing and I will continue to be supportive of this web site. I tell everyone
about it .
Ps.. We are called WAVE and the company figures the album should be ready for a spring
release the first single is called "CALIFORNIA"
A. Thank you so much for
taking the time to write. I looooove this story. So many times a singer's problem is not
their voice but their band (or music). Best of luck. I can't wait to hear the
result.
Q. hello
mark i am a 14 year old teenager who can sing aceptionally well. how do i get my big
break? i need help. can you give me advice or help me in any way ?
A. No such thing as a
big break, just a lot of little breaks. It's very hard work. Surf the web and sign onto
every music business site you find. Try www.getsigned.com,
www.musicconection.com, www.jpfolks, www.tonos.com,
www.taxi.com or www.performermag.com
for starters. By the way, you'll need a demo and some photos. Are they done?
Q. hi i want to be a singer. i'm 19 and i am
male. i don't have any musicians and i don't have any songs written.
i want to first start out like the backstreet boys and britney
spears then as i become more experienced i would like to use my
creativity to gradually do my own stuff and become a star like
madonna. i see my self as the male version of madonna because i'm
smart, artistic, creaitve, and most importantly i am driven to
become a famous successful singer. please help me. thanx
A. Unfortunately, you're
already over-the-hill to start out like Britney and Backstreet Boys. These were very
active singers at very young ages (most with the Disney Company).
To embark on a pop career like those you mentioned, you'll need to seek out a
production company or manager who is willing to back your hype. It took an investment of 3
million dollars before 'N Sync made a dime. At your age you need to have an incredible
look, dancing and singing talent and relocate to Los Angeles, New York, Atlanta or
Orlando. Check the industry papers for calls for teen vocalists. Because of the wild
success of young pop, there will be hundreds of clone acts coming out. But you better
hurry. This trend is already peaking.
Q. I have always
wanted to learn to sing well. I am not a rock star wanna-be, I just would like to learn to
sing. I am a Police Officer by trade and I would like to know where to get started. I have
never taken a singing lesson and I live in Texas. Any suggestions would be greatly
appreciated.
A. There's nothing
special needed except a desire to sing. While in your car or shower, if you should notice
something you don't like about your voice, that observation can be brought to a voice
teacher and exercises can fix the problem. Range, pitch accuracy, tone and control can all
be greatly improved by addressing them via vocal exercises. Singing, however, does not
require anyone's approval but your own. So enjoy singing, and if there's something you
don't like -- get it fixed.
Q. I was wondering
where I could find a study guide on hearing the music and matching your voice to the right
tones.
A. What you are
looking for is called ear training and there are dozens of books on the subject on the
market. I don't recommend any one in particular. I have always felt, though, that this is
the wrong name for this subject. Your ability to perceive whether a pitch is higher or
lower than another is only half the battle. Getting your voice to sing the pitch you're
thinking is a more common problem and has nothing to do with the ear. It's all about
coordinating the muscles involved with singing. For that ability, there are hundreds of
books -- but hopefully you'll give mine a try first! (The Rock-N-Roll Singer's Survival
Manual)
Q. Hello there. I was
hoping you could answer my question. I am fifteen years old and I really like to sing. I
would love to become a singer and make records. In order to accomplish this I need to now
how to get started. Should I book lessons right off the bat or is there other steps that
should be taken as well? I appreciate you taking the time to read and answer my question.
A. You are asking two
questions How to become a singer and how to make records. Becoming a singer is easy . . .
just sing. If you don't like what you hear you can train and develop as much as you'd
like. Making records is completely different. If you have something people will buy, like
talent, looks, an attitude, then a record company or a producer will be interested. I hope
you know you are not alone in your desire so it means standing out among thousands of
girls just like yourself. If you think you have it in you to fight for recognition -- by
all means give it a shot. If not, no one can take away your love of singing.
Q. Do you think it's too late for me
to start working on my voice? I'm 15.
A. Late? Your're a lttle
early. 16 is best, but there's nothing wrong with getting a jump on things.
Q. Dear Mr.
Baxter, I don't quite know how to begin. I was encouraged to look into voice
lessons by my family after singing at a family dinner recently. Now, I don't believe
that I have a good enough voice to be a professional singer but would like to give it a
shot if at all possible. I was wondering if you can recommend a starting point for
me. I would appreciate any advice you can give.
A. First off you
should be thankful for those encouraging people around you. Many don't get any
support from family -- it makes it so much easier when they are behind you. I think
the best way for you to explore your voice is by singing with Karaoke tapes. There
are companies which make "music only" tapes of every song imaginable.
Three suggestions are www.prosing.com, www.soundchoice.com and www.pocketsongs.com. After singing some
of your favorite songs for a while, you may notice some flaws you would like to work on --
that's the best time to seek a teacher. I do offer video lessons which are
essentually a private lesson filmed in my studio -- except you're not there. They
are a good way to start because the tape provides a visual guide to use when exercising
your voice. All you have to do is e-mail me again if you're interested.
The main thing to remember is that singing is for your enjoyment. Making a
profession out of it requires a lot of networking, perseverance and plain old luck.
However, nothing should stop you from singing anytime you want.
Q. I just finished
reading your article on www.getsigned.com.
Very accurate. I was hoping you could help answer a question for me or provide a
little advice. I have been singing and writing forever. I was an opera singer
for several years. Spent several years in rock bands. Recorded a CD
locally. About two years ago, my last band broke up (long story involving a woman...
not surprising eh?). Anyway, is there any way for someone like myself to be heard by
national representatives (either record companies, producers, agents, etc) without
performing live (at this time) or actually paying for legal representation? Are
there any reputable people who will listen to a CD of a past band to judge a singer's
vocal capabilities as well as his/her songwriting abilities? I have copies of the
CD, also MP3 versions that are easily emailed to play on the computer.
A. To answer your
question yes, there are people who will listen to your material. I think TAXI is a
reputable company (cost a couple hundred to join) and a good place to get constructive
criticism. If you don't want to pay, then simply join the 50,000 bands or 200,000
other musicians who lobby the 500 labels out there for their support. It will only
take every spare minute and every penny you've got. If you can raise the eyebrow of
a veteran A&R guy, then you are an incredible song writer. If you don't have the
energy to go through all the hassles and rejections of contacting these people, then it
doesn't matter how talented you are -- the music business is not for you.
Always remember, singing is an art -- and therefore you do not need the agreement of
others to sing. A career in singing, however, requires the same money, time and
commitment as it does to land a seat in public office. That's why the best people
for the job don't necessarily end up in the seat -- only the ones willing to campaign.
Hope this helps without turning you off.
Q. I am 16 and I'm in
a rock band. When we got together we didn't have a singer and some how I fell into the
position. I'm not a great vocalist but I was the only one who could even semi do it.
I was wondering if someone like me who doesn't have a massive amout of natural
talent can do this? And if so maybe you could help me. Thanks a lot and please get back to
me soon.
A. 98% of rock
singers begin, like you, by default. If you like to sing, you will get better.
If you love to sing, you will get great. If you get into trouble (losing your voice)
seek out a teacher to help you eliminate bad habits. There are books and videos and
lots of teachers to draw info from. Use what works and makes sense to you.
Just remember you are using your body as an instrument and it hasn't finished developing
yet. Don't write yourself off so soon. Keep the faith. Good luck
with the band.
Q. Mark, I am a
52 year-old, on-again/off-again singer who has had some past moderate success in singing
classical, blues, jazz, rock and folk-rock. I am looking to get back into the business by
recording a CD and then promoting it in the Northern and Southern California market. But,
I don't know what style/voice will make me believable at my age. I still have the urge,
but need some help in knowing the right direction. Suggestions?
A. The key word in
your question is promoting. The real question is: What style are you willing to
tirelessly promote. Judging by your past success, I'm sure you sing well in every
style. Which one, though, would motivate you enough to drive from Los Angeles to San
Francisco for an unpaid gig, then sprint up to Crescent City for an interview on a small
wattage radio show, back down to Fresno next day for an in-store performance (again,
unpaid), then it's off to Bakersfield only to find you've booked yourself into a country
club. Next day's gig is in San Diego, which becomes doubtful because the oil
pressure in your car is dropping like mercury in a Minnesota winter. All this to
sell 16 CD's. If you ate fast food and slept at least one night in your car, the little
promotion jaunt would have only cost $300. I know many bands that would consider
that a very successful week. Would you? Breaking a new disk takes this kind of
against-all-odds attitude until a buzz is created. This is the main reason record
companies don't sign new artists who are in their forties or fifties. They are
usually unwilling to promote themselves to this extent.
I don't mean to rain on your urge, but what makes someone "believable" is the
level of sacrifice required for the opportunity to sing. Anyone these days can make
a nice sounding CD. What makes an artist stand out, is if they are willing to mortgage the
house to promote themselves. That's what Tom Scholz did many years ago to keep his
Boston project alive after every record company turned him down. He was already a
successful engineer at Polaroid and risked it all to make his music. Like his style
or not -- the rest, as they say, is history. Something to think about.
Q. Dear Mr. Baxter I have enjoyed your commentaries on Get Signed.Com
and can't wait for your next column! I have a question/dilemma that has been
troubling me and I really need a professional opinion I have been taking vocal lessons 3
times per week for the last 14 months with a private coach. The problem is she has told me
that I should not start my singing career, even on an amatuer level, until I am fully
"established" singing with the correct technique (diapram use without throat
intervention, ect.) which boils down to another 6-12 months of lessons. However, I
do not share her opinion and wish to begin singing A.S.A.P. while continuing to
simultanesouly train my voice. What would you advise in this situation? You input
would be very appreciated.
A.I respectfully disagree with your instructor. Unless you've got some record
executive waiting until you blossom (Clive Davis waited for Whitney to develop -- she sang
every day for a year before recording), you got to start learning the ropes of the
business as well as developing your skills. Both take a lifetime to master. You should
always be improving your vocal abilities (working with coaches, etc.) and, at the same
time, learning to be more business savvy (usually we learn from our bad career moves).
The saddest part is that ability -- especially technique, is not a ticket anywhere.
There are many other elements (looks, personality, contacts, marketability) which have to
be in place to get a career moving. These take time to develop. The cruel
truth is that some of the best vocalists I work with are unknowns to the world. Art
(singing) is not a destination -- it's an endless journey into the heart. A
successful career, however, relies on other people becoming inspired to work on your
behalf (usually to line their pockets). Getting out there and creating a buzz is the
first step.
Q. I can imagine your
very good at what you do. I write songs. I can't say that I have a beat to put
them to at this point but, I love writing as much as singing. As far as goals, it's hard
to say I haven't even sang in front of an audience yet. Although, I have always dreamed of
being a well known name, and with the proper confidence I would love to do record albums.
So now I'm intrigued. What next?
A.
Step 1
Go to your local music store and/or comb through any entertainment papers you have
looking for beginner musicians to write with. You can always place an ad yourself, but
there are a lot of nut-jobs out there, so it's better to be the caller. You are looking
for a guitar or keyboard player who is willing to take your ideas and make them into
songs. If he or she is a beginner, than they will be as intimidated as you -- in other
words, no need to freak out about your lack of experience. Together, you need to write at
least three songs you feel strong about.
Step 2
Record your three songs on a simple four track tape machine. Musicians usually have one
of these. You will discover a lot of things about yourself and singing in general during
your attempt to record your songs. Always remember this is a process. Everyone's first
demo's stink, but if you don't make a first attempt, there can be no second attempt.
Step 3
Take your recording, which may be attempt number five by the time you like it, and make
copies to distribute to local clubs which host open mike nights and to other musicians who
might be interested in joining your vision. You and your new found partner should do some
very informal gigs (as a duo at an open mike night) before you ask other musicians to form
a band. You should also hang out in the clubs which have the kind of music that matches
yours -- this is the best place to meet people who would understand your direction.
There are about seven mores steps I can think of to become an internationally know
recording artist. But you must not dream ahead of your self. You have some catching up to
do. Subscribe to Musician Magazine and any other song writing mags you run across. Check
out the million plus music web sites ( getsigned.com is a good one) Read and learn from
the stories, but only concern yourself with the current step your on. Each step can take
months or years -- depending on your conviction, luck and courage. It is not worth
thinking ahead of the steps to come. The only way you'll complete the first step is by
growing and coming out of your shell. This provides the foundation for the next step, and
so on.
By the time you get to step three, you will know the remaining steps -- this is not
rocket science. Count on being discouraged, embarrassed, humiliated, frustrated, humbled,
inspired, optimistic and, at times, elated. What better way to know you're alive?
Q. I was reading
several articles on the getsigned.com website, and they all talk about being in a band to
get a record deal, yet on the radio, I keep hearing that solo vocalists get record deals
too. That's what I'm curious about. I would love to sing as a career, but yet I'm not in
band and i don't write my own music. Do record companies give contracts to just vocalists?
Because if they do, I'm considering looking for an agent. I'm very serious about
this because singing is my strongest feature and my strongest passion. I don't want to do
anything as a career, but sing. I know that there's a lot of business work to having a
solo career, but I also like business too. Not as much as singing, but I still like it. I
haven't been able to find any info on just soloists, so if you could just answer these
couple questions for me I'd really appreciate it.
A. Just to name a
few, Celine Dione, Madonna, Michael Bolton, Cindy Lauper, Sting, Lenny Kravitz, Jonny
Lang, Michael Jackson, Gloria Estephon, Cher, Joan Osbourn, Alonis Morrisette, Sheryl
Crow, Shannia Twain, Seal, Janet Jackson, R Kelly, JZ, Puff Daddy and every other rapper
on the planet were all signed without a band.
What matters is talent and your ability to promote. Best of luck to you.
Q. I'm 16. I
came across your advice for warming up before singing at 'getsigned.com' , and thought I'd
email you to see if you had any advice on how to get a good voice teacher who specializes
in pop music, and how to find out where to send my demo tape to? Any help/advice you can
give will be greatly appreciated. Thanks ever so much.
A. Finding a good
voice teacher is a hit or miss thing. Ask a lot of questions before starting and you'll
get a feel for someone. Sending a demo tape depends on what you're looking for. A band?
Gigs? Press? Management? I suspect your answer will be "a record deal" but
unless you've already got the first four steps in place it's not worth sending a label
your demo. Record labels are in the business of putting products on shelves. The old days
of artist development are all but gone. You've got to approach them with everything in
place and ready to sell.
Q. Hello, I was
recently on the internet when I came across your website. I love singing, and always have.
I was just wondering if you have any tips on how to get started (performing).
A. Performing runs
parallel to vocal talent. You don't have to have talent to begin performing nor does
talent guarantee you'll find a place to sing. Depending on what kind of music you sing,
there are night clubs or talent shows for you to contact. If there's nothing in your area,
then you'll have to be the one to organize a show. Use a church or local hall and spread
poster announcing your intentions. If all that sounds like too much work then you need to
reconsider your desire to perform. It's very hard work.
Q. I have always
wanted to learn how to sing. People tell me I have a good voice, but it still needs a lot
of work. I was wondering how could I increase the range of your singing voice? Also how
could I make my singing voice sound not so flat when I sing certain notes.
A. Training your
voice does all of these things. There are physical behaviors involved with singing. When
they are coordinated, the range increases and the tone improves. Check in your local
newspaper or music store for a teacher in your area. Voice lessons can make a big
difference.
Q. Is
it possible for someone who can't carry a tune (me) to be able to learn how to sing?
A. Is it
possible for someone who can't dribble to learn to play basketball? Of course. Singing is
a physical event requiring muscle coordination, just like any sport. However, singing is
an art, not a sport. Sports are defined by specific abilities -- art is not. It is easy to
learn to sing, but becoming a professional singer is another story. It's easy to dribble a
basketball -- joining the NBA is a different story.
Q. I am not an active
singer but music is my passion and I love to sing. I am an artist that needs to draw at
least eight hours daily so I will not fall behind in my deadlines. I am also a writer,
since I draw what I write (I write and draw comics). My point is that I am very busy
(specially in tight deadlines) and I hardly have the time to sing, plus I live in a very
small apartment where the neighbors can hear all I say, imagine if I sing with a loud
voice. So, what can I do to improve and to practice efficiently with this circumstances?
A. Sing when drawing.
Stay even later at work so you can sing when no one is there. Sing when walking down the
street. Sing in the car (if you drive). Sing when the subway passes by. Stand in a closet
with a pillow against your face and sing. Attend an open mike night at a nearby club and
sing a few songs. Or, go to a loud club and sing with the music. I am sure there are
plenty more ideas but these are things I have done to satisfy my vocal fix.
When you do have time, work on the physical form. Watch for inconsistencies in vowels
when changing pitch. Watch for facial involvement when changing pitch and/or volume.
Q. I'm curious about
the "thrash" singing style, at least that's what I call it. What I'm referring
to, is vocals like that of Rob Zombie, Clark Brown (I know he can sing smooth if he wants,
but I'm talking about the songs he "screams" in), oh heck, who else... The
singers from Testament, Slayer, I think you get the idea... Is there a correct way
to sing like this? When I try it when I practice to myself, it wears my voice pretty fast.
Not only that, I can't always do it without having my larynx raised, but yet it sometimes
sounds good. And another question, having to do with the larynx; In your book, you
say that proper singing is done with the larynx lowered, or relaxed. Now, before I go on,
let me tell you that my goal in singing has always been to be able to sing the highs like
Dio, Geoff Tate, Bruce Dickinson, etc., without difficulty. Before I got your book, when
practicing to myself, there were days where I could do it rather well, then there were
days where I couldn't come close, sort of a hit and miss situation. But there always
seemed to be a consistency, that being my voice wearing out after so many songs.
Now that I'm reading your book, I notice that to hit those highs, I've always
raised my larynx. Singing with a relaxed larynx now, totally changes things. I now can't
hit those highs at all, and instead, when singing with everything relaxed, I have an
Elvis-like voice, totally the opposite of what I want. I do notice that I can last a lot
longer singing like this. I also have tried, when singing along to covers, to use my
"true voice", instead of attempting to emulate the song. This works sometimes,
but it doesn't sound right with all stuff, especially with songs that are originally sung
high (Queensryche, Iron Maiden, etc.) As I stated, singing the high stuff with a raised
larynx, while I understand how it takes away from volume, I can still sometimes make it
sound good this way. What I'm wondering is, even though this isn't considered
"correct singing", if I continue with it anyway, using the techniques I'm
learning from your book (with the exception of relaxing my larynx), will the muscles
involved adapt, and build, to where I can last a good long while, singing with a raised
larynx? Or, should I keep trying to sing high with a relaxed larynx, no matter how
terrible I sound doing it, in hopes that it will build the muscles up to where I will
sound better and better, eventually reaching my goal? I refuse to believe that all
"professional" singers (as in, singers in bands that have albums out, and are
popular) sing the correct way.
A. Most popular
singers don't have very good technique. They are famous for the songs they write or their
personality. They pay for their vocal inability by canceling tour dates and having
operations. But, they are also very successful, so who am I to say what they're doing is
wrong.
Singing covers is another story. You have to be a good imitator. This means duplicating
everybody's bad habits. If you're just singing on weekends, you'll get strong enough to
last the two nights -- no matter how you sing. Poor technique becomes a problem in
multiple night situations.
Right now, you have a lot invested in lifting your larynx to sing high notes. In
reality, the two activities are completely separate. It's like a guitar player thinking he
has to lift his guitar to play up the fret board. The tension necessary to lift the larynx
is why your voice tires so quickly. You will be able to sing high notes from a rested
laryngeal position but it will take time. You have to be willing to sound bad in the
process, just like any beginner playing an instrument.
The harsh singing that's so popular now is murder on the throat. That's why it sounds
so cool. There is a way to use a minimum of pressure to produce the sounds but it still
has to be aggressive or else it will be too wimpy. Most importantly, these vocal sounds
come as an extension of personality. What attracts listeners to these singers is the fact
that they are willing to sacrifice themselves physically. Are you? Most rock singing is
attitude. My job is to help singers survive their success. Best of luck with
yours.
Q. I'd like to know
what is the best way to deal with a boy's change of voice. My son's voice is
changing. He's turning 13 and loves to sing and perform (at this point, in
school musicals in a school that emphasizes the performing arts). What is the best path
for "care and feeding" of the male voice through this period? How many years
does it take, on average,for the voice to settle into its adult range? Are there any
exercises which if performed at this stage can maintain or improve the higher end of the
(eventual) range?
A. Have your son do
the warm up exercises on the video everyday to keep his folds flexible. The grow spirt
will continue into mid twenties. The male voice doesn't really settle down until late
thirties. Consequently, men push down on their voices to avoid the unsettled feeling and
to sound more masculine. This behavior restricts many aspects of singing. The changes in
the throat (increased mass) do not have to cost your son any range. High notes are nothing
more than stretching the vocal folds. If he continues to visit his upper register (which
will become falsetto) it will remain available to him as an adult. Just think of your
legs. If you never stopped doing splits and stretches and sitting cross legged -- your
adult legs would be as limber as a child's. Muscles only loose their flexibility when we
stop challenging them.
Q. I've just checked
out the lessons you've posted at www.getsigned.com.
Very interesting and useful advice, thank you. I'm a guitar player who
apprehensively sings, simply because I can't find the right singer for my band! I've got a
light voice, which does not go well with most of the blues/rock songs we do, so I'm not
very vocally authoritative. But much of my difficulty occurs with playing (guitar)
and singing at the same time......I'm getting better at it over time, but it's still a
struggle.....if I concentrate hard on my playing, I tend to lose the vocal melody, and
vice versa. I'm sure there are many others out there with the same difficulty, and may I
suggest it could be a worthy post subject? Any advice gladly accepted!
A. The problem here,
is that neither the guitar or your voice are improved by thinking. It takes time but, in
the end, both are rewarded by the split attention. I also play drums and keyboards while
singing, and recently, do all three at the same time. Bottom line if you have to think
about it, it's not incorporated deep enough.
Q. First I would like
to say that I think it is great that you put a free singing lesson site on the internet.
It truly shows how much you love singing, most internet sites will not give any lessons or
advice unless you give them money. So Thank You! Second I have a singing question or
another topic for a lesson. My voice is terrible (well thats what I think and people say)
but I love to sing and I would love to be able to sing good. Is there any exercise that
can enhance my voice to sound good or am I stuck with this voice? What should I do? I
truly want to learn how to sing. So if there is any advice you can give I would greatly
appreciate it. Thank you.
A. Saying that your
voice is terrible is too general a term to define a problem. Singing is a physical event,
so any tangible problems you can identify are easily fixed. The hardest part, however, is
separating your emotions from your observations. Is your pitch good but the tone is bad?
Is the tone bad on every note or just the high ones? These are the kinds of questions that
lead to real solutions. Keep singing. Keep exploring.
Q. I
would like to know if some people are just not born to sing. i love to sing and i feel
music like it is in my soul, but i sound flat and nasal, think lucy ricardo trying out for
ricky's show. can lessons really pull out an inner good voice? i am 33 yrs old and rather
petite, can it be done, in your professional opinion? thanks for your time, and the free
advice on your web site
A. Yes, Michele, I
help people do it every day. What I cannot give to people is a love for singing -- which
you obviously have. Start learning now. The longer you wait, the more you'll question
yourself. You have nothing to lose by learning to sing. Don't deny yourself of the things
you love.
Q. im 16 years
old is it to late for me to start a voice lesson? and can anybody take a voice lesson and
become good at it? did u taught alot of famous people that where bad and then they became
good?
A. Sixteen is a
perfect time to start. Go for it.
Q. If I send you a
demo tape, can you advise me how much help and training I need, before sending this tape
out to major labels or recording companies?
A. Have you ever
heard a CD and didn't think the singer was very good? I know I have. So what if I had told
those people they weren't ready? Some singers, who I don't think are very talented at all,
are selling millions. My point is it doesn't matter what anybody thinks -- but you. If you
think you are good then you'll have the confidence to promote yourself, which is the name
of the game. If you don't think you have what it takes then you should find a teacher and
get to work.
Q. I am going to
start a children's choir to prepare Pre-K to sixth grade kids. I have very
little training. I am doing this as a volunteer at school. They have no funds and no
personnel for the choir. I need help.
A. You don't need any
training to give these kids a great experience. Chose songs which are fun and easy to
sing. There must be a web site with suggestions for songs. At such a young age, singing
should be pure enjoyment. Forgive the bad pitches and sloppy phrasing. Their bodies
(instruments) will change completely in the coming years, but the encouragement you offer
will last a lifetime. Thank you for volunteering.
Q. HI MY
NAME IS JIM AND I HAVE A 10 YEAR OLD DAUGHTER WHO LOVES TO SING GOSPEL MUSIC. SHE HAS BEEN
SINGING SINCE SHE WAS ABOUT 6 IN CHURCHES AROUND OUR AREA. I WAS WONDERING IF THERE WAS
ANYTHING WE COULD DO AT HER AGE RIGHT NOW THAT WOULD HELP HER, SHE HAS NEVER HAD VOICE
LESSONS BUT I AM TOLD BY MANY SHE SOUNDS PROMISING SO I WOULD LIKE TO HELP HER ANY WAY I
COULD.
A. Congratulations
on having such a talented daughter. Her love of singing is the most important thing to
nurture at this point. Her body (instrument) has yet to develop fully which means there
will be changes to come. Developing good basic warm up habits (like in my video, "The
Singer's Toolbox") will be the most useful way for her to spend the next few years.
Around 16, she can begin to develop because her instrument will remain the same for many
years.
Q. Thanks for your
site! Great information! I'm 36 and have never tried to sing. My husband (a drummer) has
been in lots of local bands in the 10 years we have been together. Right now the band he
is in has great musical talent, but lacks vocals (and the presence of a "front
person"). I'm wondering.... can someone like me learn to sing and how
long would it take if I really dedicated lots of time to this project? I have no real
"natural" talent, is this important?
A. Personality is
more important than natural talent. If you love to sing and are an extrovert, then dive
in. It can come together very quickly. If you're shy or insecure, you can still do it, but
it may take a few years to feel comfortable.
Q. I am 20 years old
and from the Atlanta GA area. I believe I have a voice and I can sing, but I
don't have a band. Could you tell me how to get one? I don't have any lyrics either.
Jennifer Lopez got started without a band I believe. I don't see anyone in her video, but
her i.e. the people who play the music. Could you please tell me how to get started?
A. Do you look like
Jennifer Lopez? Or Ricky Martin? Why don't you have any lyrics? What have you been doing
for the last five years. Do you want to be a singer or just famous? Is it that you don't
want a band or don't know how to put one together? These are questions that only you can
answer. Obviously, you don't have to look like Jennifer or Ricky to be famous . . . but it
doesn't hurt. You also don't have to have a band, but if you don't -- you better be a
really great singer or song writer. To get started, you first need to discover what is
unique about yourself. We are all special, it just takes a little exploring to find what's
inside you. Write lyrics and sing them to made up melodies. Then find someone to help you
put them to music. I write for a magazine in Atlanta called Southeast Performer. (find
them at www.performermag.com) In the
back there is a listing of bands looking for singers. Go to music stores and ask the guys
behind the counter if they know of anyone looking to start a band. Start snooping around
-- don't wait for someone to call you -- Jennifer didn't.
Q. All my life I have
had dreams of being a professional singer, the next Madonna. I am very interested in your
training, but I would like it to go further than just singing lessons. If you feel I have
the voice, the look and the guts to be what it takes to be a Grammy Winner, then I need
you to help me. I am a very hard working individual who will stop at nothing until I
achieve my goals.
A. There are never
any guarantees that a better voice leads to a Grammy, or even a career in singing.
Sustaining a career requires lots of promotion and hard work building a fan base. It takes
a team of people. Managers, agents, record executives and lawyers all working for the same
goal -- your success. If you are unique and have something you think the public will buy
-- then you should start building a team of professionals around you. I can help you sing
better. I do not care whether you are going to sing in the shower or for millions. I treat
the super stars I work with exactly the same as the amateurs. If you want to improve your
voice, I'd be glad to help.
Q. I'm a doc in
Eugene, Oregon. After 4 years of medical school and three of residency I'm done. Now I
have a job that allows me to pursue the kind of things that I've always wanted. One
of them has been vocal training. I've sang since I was a kid, continued through high
school, then gave it up in college. I do it for the pure pleasure. I would love to learn
how to sing, but I don't know where to start. I'm not interested in pursuing a
career in this, but consider it a hobby I've never had the chance to learn. I'm a
rank beginner in terms of technique at the age of 39. I don't know if you are even the
right person to help. However, if this is the right place, please either email me in
return.
A. Ironically, you
should start to learn to sing by singing -- humming, scatting, snipits of songs or full
renditions. Start in the shower, the car, when your cleaning up after dinner. Sing all the
time. There is no such thing as a bad note -- only ones you didn't mean to sing.
Improving your voice, it's tone and control, is easy at any age. Yes, the sound of the
voice is genetically determined but singing is a muscular activity and therefore fully
adjustable. Singing is easy, loving your voice is another story. At 39, there are many
subconscious voices, doubting, criticizing, censoring. After singing a while, take your
observations/questions and find a vocal coach. I'd be happy to answer any question you may
have. Singing is an art and therefore its training is not linear process. Discover what's
missing in your singing before putting yourself on a program of improvement
Q. I have a daughter
who is nine years old who has a beautiful, strong singing voice. When she sings locally I
get voice teachers wooing her, but when I went on my own to a Conservatory of Music in
search of a presumably reputable tutor, (I live in New Jersey) they tell me they won't
even accept a child who has not yet gone through puberty for fear of thickening the vocal
chords and ruining her voice forever. I can't imagine them turning down business, so I
tend to believe them. Do you know how I can find out about the truth of this matter? I
would hate to do something wrong, I really appreciate it.
A. It's basically
true, but dramatic. Your daughter's voice (instrument) has not even begun to develop.
Solidifying a singing technique (physical behaviors) which address her current needs would
compromise her abilities once she matures -- if (and this is an important if) -- she does
not adjust her technique as she ages. It would be fine for her to learn basic fundamentals
of singing (how and why to warm up, breathing, etc.) Developing a mature tone is premature
-- but would not "ruin her voice forever." I think the best thing you could do
for her is simply allow her to enjoy singing without any pressure. She will create her own
in due time.
Congratulations on having such a talent in your life.
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